AFRIKIN® Art is multicultural and from all continents including black art, indigenous, native, street art, tribal and urban art works presented from a world view and intercultural aesthetic.
AFRIKIN® provides a platform for, both emerging and established artists through curated exhibitions that will include digital art, fine art, multi-media, photography and works on paper. International artists’ works are curated and exhibited from a fresh and progressive perspective. In addition to cultivation of a core audience of experienced artists and patrons, we have now entered into the period of the emergence of millennial artists and collectors who have a keen awareness of community and the need for intergenerational exchange and progress beyond antiquated traditions.
A Turning Point : Case History of Black Aesthetic Art
Artists working within the realm of the Black aesthetic have been traditionally under-represented in the art market. The mainstream art market is now acknowledging the increasing value of these overlooked works of Black aesthetic art. Institutions are also now rushing to include these works and ‘fill the gaps’ in their collections. This places collectors of this work in a unique position to showcase these important pieces of art.
The Black Art Gold Rush Has Begun
For artists like Norman Lewis and Horace Pippins they did not live to see this historical reversal of several generations of African-American artists in overcoming institutional neglect. For Eldzier Cortor, who died on November 26, 2015, he did lived to see his work in the new Whitney Museum. But this is what he had to say, “It’s a little late now, I’d say,” he observed dryly during an interview. “But better than never.” What will happen for the African American collectors who loyally supported the Black artists before it was fashionable, maybe they will realize a profit from their investment. What will the well monied private collectors and the museums with the wish list find as they look for this undervalued work? They will find that these veins of gold are also in the hands of the Black collectors and art dealers and if they do not want to overspend they need to forge relationships with them. (RM Crews for Black Art in America™, 2016)
Black Art Is Buried Treasure (Bloomberg Business Week, February, 2006)
Why African American Art Is So Hot (Forbes, Dec., 2008)
Black Artists March Into The Museum (New York Times, November, 2015)
Art of native peoples and tribes from Africa, the Americas, Asia and Australia are part of indigenous art. This artwork is usually connected to ceremonies and rituals of the regional natives that are creating these works. The content is comprised of elements from traditional native culture In the case of Australian Aboriginal art, this culture has no written language, so important cultural narratives and thought are told through the use of symbols and drawings. Similarly with other indigenous and native cultures, art is reflective of life in the physical and spiritual world. Indigenous art is language and an incorporation of authentic native culture into visual representations.
Graffiti and Street Art
Graffiti is plural for the Italian word “graffito” and is known as writing and / or scratched etchings on buildings, trains, vehicles, walls and other surfaces. and is based on a sequence of words, letters or symbols. Street art is an image based outgrowth from graffiti and is visual art created in public locations. Street art is executed using varied mediums including, spray paint graffiti, stencils, “poster art, sticker art, street installations and sculpture”.
To submit your company, product, art collection, or content-related proposal for AFRIKIN® Art, contact us at email@example.com.